Uršula Berlot je napisala izvirno in fascinantno analizo moderne mimesis v navidez nezdružljivi konceptualni praksi Duchampove umetnosti. Pokazala je, da je infratanka mimetična vmesnost reverzibilna strategija, mesto sovpadanja nasprotij in razlik, v kateri v enaki meri učinkuje diskurzivna, znanstvena in konceptualna, umetniška misel in da je današnja tesna prepletenost estetskega učinka s teorijo v veliki meri Duchampova zgodovinska zasluga. (prof. dr. Tomaž Brejc)

Uršula Berlot has written a fascinating and highly engaging analysis of modern mimesis in seemingly incompatible conceptual art practice of Duchamp. She has shown that the infrathin mimetic interface is a reversible strategy, within which discursive, scietific, conceptual and artistic thought are equally operational and that the close links manifested today between heory and the esthetic effect are largely due to Duchamp.