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They all ate sushi

Ko jih odvijemo, se zvijejo vsi skupaj v velik končni suši – trislojno zgodbo z ovojem: zgodbo Sare in Juan Cruza, Jane in Lovra, Diane in Juana, v ovoju zgodbe Laure in anonimnega moškega. Kljub temu, da so vsi trije sušiji zviti iz različnih sestavin, ki v romanu predstavljajo različne okoliščine junakov, je končni okus, ki ga ponujajo, enak. Vsi so obsojeni na isto – na omejen rok trajanja.

Eva Petrič, rojena 1983 v Kranju, diplomirala 2005 na Dunaju iz psihologije in vizualne umetnosti. V svojem umetniškem ustvarjanju se posveča pisanju, fotografiji, videu in performansu. Odraščala in oblikovala se je na različnih koncih sveta, v jezikovno, kulturno in geografsko zelo različnih okoljih, od afriškega, azijskega, do severnoameriškega in srednjeevropskega, formalno izobrazbo pa si je pridobivala v osmih različnih šolah v petih državah na treh kontinentih. Trenutno živi in dela na Dunaju, kjer sodeluje z galerijo Suppan Contemporary in pripravlja magisterij iz novih medijev pri Inštitutu Transart Donavske univerze v Kremsu kot zadnja študentka znanega francoskega fotografa in filmskega ustvarjalca Luciena Clerguea. Za svoj glasbeni video Army of me je prejela nagrado Čižek in priznanje Naj digič 2006. Leta 2007 je izšla njena prva zbirka pesmi Ta prostor je škatla, opremljena z njenimi črno-belimi fotografijami, pri založbi Drava v Celovcu. Za razvoj dveh scenarijev celovečernih filmov je leta 2006 prejela podporo Filmskega sklada Slovenije. Svoje likovno delo je predstavila na več samostojnih in skupinskih razstavah v Avstriji, Sloveniji in ZDA, ter sodelovala na mednarodnih umetniških sejmih v Italiji, na Češkem in v Švici. Februarja 2008 je bil po izboru likovnega kritika meseca cikel njenih fotografij razstavljen v Cankarjevem domu v Ljubljani. Maja 2008 je prejela tretjo nagrado na letni žirirani fotografski razstavi v St. Louisu v ZDA, junija 2008 pa je bila proglašena za Umetnico meseca na spletni strani Art Lab galerije Hilger na Dunaju. Knjiga Vsi so jedli suši je njen prozni prvenec.

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The composite love novel: They All Ate Sushi has the anatomy of a sushi, being both literarily and metaphorically composed of various ingredients. Just as the ingredients of a sushi are rolled up, the main heroes of this novel are also rolled up in their own separate love stories. When unrolled, they form an even bigger final sushi – one three-layered story with a wrapper: that of Sara and Juan Cruz, Jana and Lovro, Diana and Juan, with Laura and the anonymous man wrapping them all up. Despite the three sushis having different ingredients – these are expressed in the novel as the differing circumstances of the heroes – the end taste is the same. All are cursed by one and the same – an expiration date.

Sara and Juan Cruz, Jana and Lovro, Diana and Juan, and even Laura and the anonymous man all ate sushi. They ate it at various places, in trendy restaurants and bohemian cafés, at street stands and fancy hotel bistros. But no matter where they ate it, it always left them with a bitter aftertaste. What was lacking in the sushi that made it inedible in the memory of all involved? Laura never found the answer while the anonymous man switched from sushi to teriyaki.

The novel They All Ate Sushi rolls and unrolls as well as intertwines love stories of three couples that seem to be one and the same with only the circumstances being different. It is the story of Sara and Juan Cruz who, coming from different parts of the world happen to meet in New York City and fall in love. However, upon returning to their home countries and trying to preserve their relationship, they find that their love is possible only and as long as it is impossible. They try to break this circle of impossibility but instead find themselves in a spiral, chasing each other and at the same time being chased by each other’s shadow. However, their story is also the story of tricky disorders that make their lives doubly complicated. The combination of Sara’s eating disorder and Juan Cruz’s once bitten twice shy syndrome makes Sara and Juan Cruz’s relationship all the more difficult.

A similar scenario unfolds in the completely different relationship between Jana and Lovro. They find themselves caught in a paradox together with their virtual selves – Velvetine and Peregrino. They both love and at the same time cheat on each other – with each other! Jana in the role of Velvetine in her internet relationship with Peregrino, and Lovro in the role of Peregrino in his internet relationship with Velvetine. However, they cannot find their way out of this situation because they are not able to accept the fact that their cheating on one another discloses their love for each other. Instead of returning to their initial circle of love they now enter a spiral full of guilt, reproaches and jealousy.

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Ko jih odvijemo, se zvijejo vsi skupaj v velik končni suši – trislojno zgodbo z ovojem: zgodbo Sare in Juan Cruza, Jane in Lovra, Diane in Juana, v ovoju zgodbe Laure in anonimnega moškega. Kljub temu, da so vsi trije sušiji zviti iz različnih sestavin, ki v romanu predstavljajo različne okoliščine junakov, je končni okus, ki ga ponujajo, enak. Vsi so obsojeni na isto – na omejen rok trajanja. Eva Petrič, rojena 1983 v Kranju, diplomirala 2005 na Dunaju iz psihologije in vizualne umetnosti. V svojem umetniškem ustvarjanju se posveča pisanju, fotografiji, videu in performansu. Odraščala in oblikovala se je na različnih koncih sveta, v jezikovno, kulturno in geografsko zelo različnih okoljih, od afriškega, azijskega, do severnoameriškega in srednjeevropskega, formalno izobrazbo pa si je pridobivala v osmih različnih šolah v petih državah na treh kontinentih. Trenutno živi in dela na Dunaju, kjer sodeluje z galerijo Suppan Contemporary in pripravlja magisterij iz novih medijev pri Inštitutu Transart Donavske univerze v Kremsu kot zadnja študentka znanega francoskega fotografa in filmskega ustvarjalca Luciena Clerguea. Za svoj glasbeni video Army of me je prejela nagrado Čižek in priznanje Naj digič 2006. Leta 2007 je izšla njena prva zbirka pesmi Ta prostor je škatla, opremljena z njenimi črno-belimi fotografijami, pri založbi Drava v Celovcu. Za razvoj dveh scenarijev celovečernih filmov je leta 2006 prejela podporo Filmskega sklada Slovenije. Svoje likovno delo je predstavila na več samostojnih in skupinskih razstavah v Avstriji, Sloveniji in ZDA, ter sodelovala na mednarodnih umetniških sejmih v Italiji, na Češkem in v Švici. Februarja 2008 je bil po izboru likovnega kritika meseca cikel njenih fotografij razstavljen v Cankarjevem domu v Ljubljani. Maja 2008 je prejela tretjo nagrado na letni žirirani fotografski razstavi v St. Louisu v ZDA, junija 2008 pa je bila proglašena za Umetnico meseca na spletni strani Art Lab galerije Hilger na Dunaju. Knjiga Vsi so jedli suši je njen prozni prvenec. ****************** The composite love novel: They All Ate Sushi has the anatomy of a sushi, being both literarily and metaphorically composed of various ingredients. Just as the ingredients of a sushi are rolled up, the main heroes of this novel are also rolled up in their own separate love stories. When unrolled, they form an even bigger final sushi – one three-layered story with a wrapper: that of Sara and Juan Cruz, Jana and Lovro, Diana and Juan, with Laura and the anonymous man wrapping them all up. Despite the three sushis having different ingredients – these are expressed in the novel as the differing circumstances of the heroes – the end taste is the same. All are cursed by one and the same – an expiration date. Sara and Juan Cruz, Jana and Lovro, Diana and Juan, and even Laura and the anonymous man all ate sushi. They ate it at various places, in trendy restaurants and bohemian cafés, at street stands and fancy hotel bistros. But no matter where they ate it, it always left them with a bitter aftertaste. What was lacking in the sushi that made it inedible in the memory of all involved? Laura never found the answer while the anonymous man switched from sushi to teriyaki. The novel They All Ate Sushi rolls and unrolls as well as intertwines love stories of three couples that seem to be one and the same with only the circumstances being different. It is the story of Sara and Juan Cruz who, coming from different parts of the world happen to meet in New York City and fall in love. However, upon returning to their home countries and trying to preserve their relationship, they find that their love is possible only and as long as it is impossible. They try to break this circle of impossibility but instead find themselves in a spiral, chasing each other and at the same time being chased by each other’s shadow. However, their story is also the story of tricky disorders that make their lives doubly complicated. The combination of Sara’s eating disorder and Juan Cruz’s once bitten twice shy syndrome makes Sara and Juan Cruz’s relationship all the more difficult. A similar scenario unfolds in the completely different relationship between Jana and Lovro. They find themselves caught in a paradox together with their virtual selves – Velvetine and Peregrino. They both love and at the same time cheat on each other – with each other! Jana in the role of Velvetine in her internet relationship with Peregrino, and Lovro in the role of Peregrino in his internet relationship with Velvetine. However, they cannot find their way out of this situation because they are not able to accept the fact that their cheating on one another discloses their love for each other. Instead of returning to their initial circle of love they now enter a spiral full of guilt, reproaches and jealousy.

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